Isha Koppikar says she regrets turning down Sonali Kulkarni’s role opposite Saif Ali Khan in “Dil Chahta Hai” due to a prior commitment to “Pyaar Ishq Aur Mohabbat.” The actor stresses adapting with age, avoiding creative compromises, and recalls “Ek Vivaah Aisa Bhi” and Sonu Sood fondly.
Karisma Kapoor showcases timeless ethnic elegance in a yellow Valli Anarkali set worth Rs 2.95 lakh. Crafted in chanderi, the ensemble features intricate zardozi embroidery, multicoloured resham floral motifs, a coordinated organza dupatta and handmade tassels accented with crochet flowers. The actor completes the look with layered jewellery, kohl-lined eyes, nude-pink glossy lips and sleek, centre-parted hair. Reflecting her signature classic chic style, the ensemble blends traditional Indian craftsmanship with contemporary festive appeal and understated glamour.
The film, written and directed by Venu Yeldandi, is set to release in theatres on March 5, 2027
Vidya Balan says she is still hungry for a role like “The Dirty Picture,” 15 years after it won her a National Award. With Ektaa Kapoor announcing a sequel, Balan calls herself a “greedy actor” but believes Silk’s story is over, so any return would need a fresh story.
Ravi Kishan has portrayed Lord Rama for the first time at Delhi’s Ayodhya Ki Ramleela this Dussehra. The actor and BJP MP urged young people to read about Lord Rama, Lord Krishna and Lord Shiva, saying spirituality can help them navigate difficult phases of life. He also recommended meditating for at least 30 minutes daily and recalled playing Parshuram, Kevat and Mata Sita as a child. Ravi will next appear in Khosla Ka Ghosla 2, scheduled for release in 2027.
Salman Khan’s ‘Maatrubhumi’, slated for an April 2026 release, remains delayed amid reported government concerns over its anti-China tone, though the I&B Ministry reportedly granted an NOC. Salman unveiled the song ‘Jai Hind’ on Dussehra, and fans flooded his comments asking for the release date.
A beaming Genden Phuntsok lights up Jennifer Peedom’s moving act of historical restitution for a pioneering legacy dwarfed by colonial vanity